Sonata no. 2 in E minor, op. 36a, BV 244: III. Andante, piuttosto grave album cover

ISRC

GBLWD9105306

Sonata no. 2 in E minor, op. 36a, BV 244: III. Andante, piuttosto grave

Song: Violin Sonata no. 2 in E minor, op. 36a: III. Andante

Lydia MordkovitchViktoria Postnikova
Released 1991-05-01

Last verified:

GBLWD9105306 is the International Standard Recording Code (ISRC) for the recording "Sonata no. 2 in E minor, op. 36a, BV 244: III. Andante, piuttosto grave" by Lydia Mordkovitch, Viktoria Postnikova, released 1991-05-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
LWDRegistrant
91Year (1991)
05306Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1991):
Last two digits of the reference year (1991). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Sonata no. 2 in E minor, op. 36a, BV 244: III. Andante, piuttosto grave" by Lydia Mordkovitch?
The ISRC for "Sonata no. 2 in E minor, op. 36a, BV 244: III. Andante, piuttosto grave" by Lydia Mordkovitch, Viktoria Postnikova is GBLWD9105306.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBLWD9105306?

GBLWD9105306 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Sonata no. 2 in E minor, op. 36a, BV 244: III. Andante, piuttosto grave" by Lydia Mordkovitch, Viktoria Postnikova. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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