Reality Dub album cover

ISRC

GBLXN0600018

Reality Dub2

Song: UNDERGROUND REALITY DUB

TayoSons of Mecha Underground
unmatchedNot yet matched in the MLC database
Released 2006-01-01

Last verified:

GBLXN0600018 is the International Standard Recording Code (ISRC) for the recording “Reality Dub by Tayo, Sons of Mecha Underground, released 2006-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
LXNRegistrant
06Year (2006)
00018Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2006):
Last two digits of the reference year (2006). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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MLC Song Code

SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "Reality Dub" by Tayo?
The ISRC for "Reality Dub" by Tayo, Sons of Mecha Underground is GBLXN0600018.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBLXN0600018?

GBLXN0600018 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Reality Dub by Tayo, Sons of Mecha Underground. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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