ISRC

GBMUA0500076

Hot Mint Air Balloon2

Song: HOT MINT AIR BALLOON

Deerhoof
unmatchedNot yet matched in the MLC database
Released 2005-04-01

Last verified:

GBMUA0500076 is the International Standard Recording Code (ISRC) for the recording “Hot Mint Air Balloon by Deerhoof, released 2005-04-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
MUARegistrant
05Year (2005)
00076Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

GREGORY LOVELL SAUNIERComposer
SATOMI MATSUZAKIComposer
CHRISTOPHER ROBERT COHENComposer
JOHN DIETERICHComposer

MLC Song Code

SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "Hot Mint Air Balloon" by Deerhoof?
The ISRC for "Hot Mint Air Balloon" by Deerhoof is GBMUA0500076.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBMUA0500076?

GBMUA0500076 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Hot Mint Air Balloon by Deerhoof. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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