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Dona Nobis Pacem: VI. O Man Greatly Beloved album cover

ISRC

GBMY51905135

Dona Nobis Pacem: VI. O Man Greatly Beloved

Ailish TynanRoderick WilliamsChoir of King’s CollegeCambridgeBritten SinfoniaStephen Cleobury
Released 2019-11-25

Last verified:

GBMY51905135 is the International Standard Recording Code (ISRC) for the recording “Dona Nobis Pacem: VI. O Man Greatly Beloved” by Ailish Tynan, Roderick Williams, Choir of King’s College, Cambridge, Britten Sinfonia, Stephen Cleobury, released 2019-11-25. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
MY5Registrant
19Year (2019)
05135Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Dona Nobis Pacem: VI. O Man Greatly Beloved" by Ailish Tynan?
The ISRC for "Dona Nobis Pacem: VI. O Man Greatly Beloved" by Ailish Tynan, Roderick Williams, Choir of King’s College, Cambridge, Britten Sinfonia, Stephen Cleobury is GBMY51905135.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBMY51905135?

GBMY51905135 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Dona Nobis Pacem: VI. O Man Greatly Beloved” by Ailish Tynan, Roderick Williams, Choir of King’s College, Cambridge, Britten Sinfonia, Stephen Cleobury. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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