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ISRC

GBPS84731019

WAFFLE HOUSE (SPED UP VERSION)

Song: WAFFLE HOUSE

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GBPS84731019 is the International Standard Recording Code (ISRC) for the recording "WAFFLE HOUSE (SPED UP VERSION)". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DANIEL KEYES TASHIAN, PETER ANTHONY NAPPI, JONATHAN DAVID BELLION, and others.

Format

GBCountry
PS8Registrant
47Year (2047)
31019Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2047):
Last two digits of the reference year (2047). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCWAFFLE HOUSE (SPED UP VERSION)
IPIDANIEL KEYES TASHIAN

Related

Songwriter profiles

DANIEL KEYES TASHIANIPIPETER ANTHONY NAPPIIPIJONATHAN DAVID BELLIONIPIPAUL KEVIN II JONASIPIIDO ZMISHLANYIPI

People also ask

What is the ISRC for "WAFFLE HOUSE (SPED UP VERSION)"?
The ISRC for "WAFFLE HOUSE (SPED UP VERSION)" is GBPS84731019.
Who wrote "WAFFLE HOUSE (SPED UP VERSION)"?
"WAFFLE HOUSE (SPED UP VERSION)" was written by DANIEL KEYES TASHIAN, PETER ANTHONY NAPPI, JONATHAN DAVID BELLION, NICK JONAS, PAUL KEVIN II JONAS, JOE JONAS, IDO ZMISHLANY, JOHNNY SIMPSON, JASON CORNET, GREGORY ALDAE HAIN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBPS84731019?

GBPS84731019 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "WAFFLE HOUSE (SPED UP VERSION)". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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