ISRC

GBPVP1000007

TEXTYA (CHACHALEKPAFUN) (FEAT. SPRY) (LOST HEROES REVISION CONGO AFROTECH VERSION 1)

Song: TEXTYA (CHACHALEKPAFUN)

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GBPVP1000007 is the International Standard Recording Code (ISRC) for the recording “TEXTYA (CHACHALEKPAFUN) (FEAT. SPRY) (LOST HEROES REVISION CONGO AFROTECH VERSION 1). ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CRISPIN ROBINSON, PHILIP GRAHAM ASHER.

Format

GBCountry
PVPRegistrant
10Year (2010)
00007Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "TEXTYA (CHACHALEKPAFUN) (FEAT. SPRY) (LOST HEROES REVISION CONGO AFROTECH VERSION 1)"?
The ISRC for "TEXTYA (CHACHALEKPAFUN) (FEAT. SPRY) (LOST HEROES REVISION CONGO AFROTECH VERSION 1)" is GBPVP1000007.
Who wrote "TEXTYA (CHACHALEKPAFUN) (FEAT. SPRY) (LOST HEROES REVISION CONGO AFROTECH VERSION 1)"?
"TEXTYA (CHACHALEKPAFUN) (FEAT. SPRY) (LOST HEROES REVISION CONGO AFROTECH VERSION 1)" was written by CRISPIN ROBINSON, PHILIP GRAHAM ASHER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBPVP1000007?

GBPVP1000007 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “TEXTYA (CHACHALEKPAFUN) (FEAT. SPRY) (LOST HEROES REVISION CONGO AFROTECH VERSION 1). ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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