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ISRC

GBPW41510324

BUT I DO LOVE YOU (IN THE STYLE OF LEANN RIMES) [KARAOKE VERSION]

Song: BUT I DO LOVE YOU

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GBPW41510324 is the International Standard Recording Code (ISRC) for the recording "BUT I DO LOVE YOU (IN THE STYLE OF LEANN RIMES) [KARAOKE VERSION]". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DIANE EVE WARREN.

Format

GBCountry
PW4Registrant
15Year (2015)
10324Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCBUT I DO LOVE YOU (IN THE STYLE OF LEANN RIMES) [KARAOKE VERSION]
IPIDIANE EVE WARREN

Related

Songwriter profiles

DIANE EVE WARRENIPI

People also ask

What is the ISRC for "BUT I DO LOVE YOU (IN THE STYLE OF LEANN RIMES) [KARAOKE VERSION]"?
The ISRC for "BUT I DO LOVE YOU (IN THE STYLE OF LEANN RIMES) [KARAOKE VERSION]" is GBPW41510324.
Who wrote "BUT I DO LOVE YOU (IN THE STYLE OF LEANN RIMES) [KARAOKE VERSION]"?
"BUT I DO LOVE YOU (IN THE STYLE OF LEANN RIMES) [KARAOKE VERSION]" was written by DIANE EVE WARREN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBPW41510324?

GBPW41510324 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "BUT I DO LOVE YOU (IN THE STYLE OF LEANN RIMES) [KARAOKE VERSION]". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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