ISRC

GBPW41510979

TOO LATE (IN THE STYLE OF NATALIE COLE) [KARAOKE VERSION] - KARAOKE VERSION

Song: TOO LATE

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GBPW41510979 is the International Standard Recording Code (ISRC) for the recording "TOO LATE (IN THE STYLE OF NATALIE COLE) [KARAOKE VERSION] - KARAOKE VERSION". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JENNIFER LOPEZ, COREY ROONEY, AL WEST.

Format

GBCountry
PW4Registrant
15Year (2015)
10979Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTOO LATE (IN THE STYLE OF NATALIE COLE) [KARAOKE VERSION] - KARAOKE VERSION

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People also ask

What is the ISRC for "TOO LATE (IN THE STYLE OF NATALIE COLE) [KARAOKE VERSION] - KARAOKE VERSION"?
The ISRC for "TOO LATE (IN THE STYLE OF NATALIE COLE) [KARAOKE VERSION] - KARAOKE VERSION" is GBPW41510979.
Who wrote "TOO LATE (IN THE STYLE OF NATALIE COLE) [KARAOKE VERSION] - KARAOKE VERSION"?
"TOO LATE (IN THE STYLE OF NATALIE COLE) [KARAOKE VERSION] - KARAOKE VERSION" was written by JENNIFER LOPEZ, COREY ROONEY, AL WEST.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBPW41510979?

GBPW41510979 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "TOO LATE (IN THE STYLE OF NATALIE COLE) [KARAOKE VERSION] - KARAOKE VERSION". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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