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The Children's Hour album cover

ISRC

GBSAL1454328

The Children's Hour2

Song: THE CHILDREN'S HOUR

ZarelliLeonard Nimoy
unmatchedNot yet matched in the MLC database
Released 2015-02-23

Last verified:

GBSAL1454328 is the International Standard Recording Code (ISRC) for the recording "The Children's Hour" by Zarelli, Leonard Nimoy, released 2015-02-23. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
SALRegistrant
14Year (2014)
54328Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "The Children's Hour" by Zarelli?
The ISRC for "The Children's Hour" by Zarelli, Leonard Nimoy is GBSAL1454328.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBSAL1454328?

GBSAL1454328 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "The Children's Hour" by Zarelli, Leonard Nimoy. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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