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ISRC

GBSJM0700295

TAO OF THE PIPE

IRISH SHOWTIME BANDTHE IRISH SHOWTIME BAND
unmatchedNot yet matched in the MLC database

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GBSJM0700295 is the International Standard Recording Code (ISRC) for the recording “TAO OF THE PIPE” by IRISH SHOWTIME BAND, THE IRISH SHOWTIME BAND. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MCMILLEN SCOTT KAKACEK, JULIEN A EHRLICH, ZIYAD ARIF ASRAR, and others.

Format

GBCountry
SJMRegistrant
07Year (2007)
00295Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2007):
Last two digits of the reference year (2007). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTAO OF THE PIPE
IPIMCMILLEN SCOTT KAKACEK

Related

Songwriter profiles

MCMILLEN SCOTT KAKACEKIPIJULIEN A EHRLICHIPIZIYAD ARIF ASRARIPIMACIE STEWARTIPIWILL MILLERIPI

People also ask

What is the ISRC for "TAO OF THE PIPE" by IRISH SHOWTIME BAND?
The ISRC for "TAO OF THE PIPE" by IRISH SHOWTIME BAND, THE IRISH SHOWTIME BAND is GBSJM0700295.
Who wrote "TAO OF THE PIPE"?
"TAO OF THE PIPE" was written by MCMILLEN SCOTT KAKACEK, JULIEN A EHRLICH, ZIYAD ARIF ASRAR, MACIE STEWART, WILL MILLER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBSJM0700295?

GBSJM0700295 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “TAO OF THE PIPE” by IRISH SHOWTIME BAND, THE IRISH SHOWTIME BAND. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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