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don’t u want me back album cover

ISRC

GBSMU4185626

don’t u want me back

Song: DON'T U WANT ME BACK

Indigo De SouzaEthan BaechtoldWill Franke
unmatchedNot yet matched in the MLC database
Released 2017-09-19

Last verified:

GBSMU4185626 is the International Standard Recording Code (ISRC) for the recording "don’t u want me back" by Indigo De Souza, Ethan Baechtold, Will Franke, released 2017-09-19. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by INDIGO DE SOUZA, ETHAN BAECHTOLD, WILL FRANKE.

Format

GBCountry
SMURegistrant
41Year (2041)
85626Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2041):
Last two digits of the reference year (2041). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCdon’t u want me back
IPIINDIGO DE SOUZA

People also ask

What is the ISRC for "don’t u want me back" by Indigo De Souza?
The ISRC for "don’t u want me back" by Indigo De Souza, Ethan Baechtold, Will Franke is GBSMU4185626.
Who wrote "don’t u want me back"?
"don’t u want me back" was written by INDIGO DE SOUZA, ETHAN BAECHTOLD, WILL FRANKE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBSMU4185626?

GBSMU4185626 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "don’t u want me back" by Indigo De Souza, Ethan Baechtold, Will Franke. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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