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ISRC

GBSMU6566476

You’ve Been So Good Up to Now

Song: YOU'VE BEEN SO GOOD UP TO NOW

Lyle Lovett
unmatchedNot yet matched in the MLC database
Released 2019-06-24

Last verified:

GBSMU6566476 is the International Standard Recording Code (ISRC) for the recording "You’ve Been So Good Up to Now" by Lyle Lovett, released 2019-06-24. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LYLE LOVETT.

Format

GBCountry
SMURegistrant
65Year (1965)
66476Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1965):
Last two digits of the reference year (1965). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

LYLE LOVETTComposer
LYLE LOVETT MUSIC OriginalPublisherIPI: 00127014511

Who publishes this song?

LYLE LOVETT MUSICOriginalPublisher
IPI: 00127014511

MLC Song Code

Y00165
Verify on MLC Portal →
SourcesMusicBrainz

Verified on

People also ask

What is the ISRC for "You’ve Been So Good Up to Now" by Lyle Lovett?
The ISRC for "You’ve Been So Good Up to Now" by Lyle Lovett is GBSMU6566476.
Who wrote "You’ve Been So Good Up to Now"?
"You’ve Been So Good Up to Now" was written by LYLE LOVETT.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBSMU6566476?

GBSMU6566476 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "You’ve Been So Good Up to Now" by Lyle Lovett. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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