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ISRC

GBSMU6566477

She’s Already Made Up Her Mind2

Song: SHE'S ALREADY MADE UP HER MIND

Lyle Lovett
unmatchedNot yet matched in the MLC database
Released 2019-06-24

Last verified:

GBSMU6566477 is the International Standard Recording Code (ISRC) for the recording "She’s Already Made Up Her Mind" by Lyle Lovett, released 2019-06-24. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LYLE LOVETT.

Format

GBCountry
SMURegistrant
65Year (1965)
66477Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1965):
Last two digits of the reference year (1965). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

LYLE LOVETTComposer
LYLE LOVETT MUSIC OriginalPublisherIPI: 00127014511

Who publishes this song?

LYLE LOVETT MUSICOriginalPublisher
IPI: 00127014511

MLC Song Code

S01334
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "She’s Already Made Up Her Mind" by Lyle Lovett?
The ISRC for "She’s Already Made Up Her Mind" by Lyle Lovett is GBSMU6566477.
Who wrote "She’s Already Made Up Her Mind"?
"She’s Already Made Up Her Mind" was written by LYLE LOVETT.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBSMU6566477?

GBSMU6566477 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "She’s Already Made Up Her Mind" by Lyle Lovett. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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