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These Are My Twisted Words album cover

ISRC

GBSTK1600111

These Are My Twisted Words2

Song: THESE ARE MY TWISTED WORDS

Radiohead
unmatchedNot yet matched in the MLC database
Released 2009-08-17

Last verified:

GBSTK1600111 is the International Standard Recording Code (ISRC) for the recording “These Are My Twisted Words” by Radiohead, released 2009-08-17. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JONATHAN RICHARD GUY GREENWOOD, PHILIP JAMES SELWAY, THOMAS EDWARD YORKE, and others.

Format

GBCountry
STKRegistrant
16Year (2016)
00111Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCThese Are My Twisted Words
IPIJONATHAN RICHARD GUY GREENWOOD

People also ask

What is the ISRC for "These Are My Twisted Words" by Radiohead?
The ISRC for "These Are My Twisted Words" by Radiohead is GBSTK1600111.
Who wrote "These Are My Twisted Words"?
"These Are My Twisted Words" was written by JONATHAN RICHARD GUY GREENWOOD, PHILIP JAMES SELWAY, THOMAS EDWARD YORKE, EDWARD JOHN O BRIEN, COLIN CHARLES GREENWOOD.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBSTK1600111?

GBSTK1600111 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “These Are My Twisted Words” by Radiohead. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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