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Farewell to the Fairground (Yuksek remix) album cover

ISRC

GBUM70818422

Farewell to the Fairground (Yuksek remix)2

Song: FAREWELL TO THE FAIRGROUND

White Lies
matched
Released 2008-01-01

Last verified:

GBUM70818422 is the International Standard Recording Code (ISRC) for the recording “Farewell to the Fairground (Yuksek remix)” by White Lies, released 2008-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by HARRY MCVEIGH, JACK BROWN, CHARLES CAVE.

Format

GBCountry
UM7Registrant
08Year (2008)
18422Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCFarewell to the Fairground (Yuksek remix)
IPIHARRY MCVEIGH

People also ask

What is the ISRC for "Farewell to the Fairground (Yuksek remix)" by White Lies?
The ISRC for "Farewell to the Fairground (Yuksek remix)" by White Lies is GBUM70818422.
Who wrote "Farewell to the Fairground (Yuksek remix)"?
"Farewell to the Fairground (Yuksek remix)" was written by HARRY MCVEIGH, JACK BROWN, CHARLES CAVE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBUM70818422?

GBUM70818422 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Farewell to the Fairground (Yuksek remix)” by White Lies. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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