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ISRC

GBUM71305326

You and I Ain't Nothin' No More (full studio version)2

Song: YOU AND I AIN'T NOTHIN' NO MORE

Gladys Knight
matched
Released 2013-01-01

Last verified:

GBUM71305326 is the International Standard Recording Code (ISRC) for the recording “You and I Ain't Nothin' No More (full studio version)” by Gladys Knight, released 2013-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LEONARD A KRAVITZ.

Format

GBCountry
UM7Registrant
13Year (2013)
05326Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCYou and I Ain't Nothin' No More (full studio version)
IPILEONARD A KRAVITZ

People also ask

What is the ISRC for "You and I Ain't Nothin' No More (full studio version)" by Gladys Knight?
The ISRC for "You and I Ain't Nothin' No More (full studio version)" by Gladys Knight is GBUM71305326.
Who wrote "You and I Ain't Nothin' No More (full studio version)"?
"You and I Ain't Nothin' No More (full studio version)" was written by LEONARD A KRAVITZ.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBUM71305326?

GBUM71305326 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “You and I Ain't Nothin' No More (full studio version)” by Gladys Knight. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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