ISRC
Sonata for Two Pianos and Percussion, Sz 110: 1. Assai lento - Allegro molto2
Song: Sonata for 2 Pianos and Percussion, Sz. 110, BB 115: I. Assai lento
Last verified:
GBUM71505625 is the International Standard Recording Code (ISRC) for the recording “Sonata for Two Pianos and Percussion, Sz 110: 1. Assai lento - Allegro molto” by Martha Argerich, Daniel Barenboim, Pedro Manuel Torrejón González, Lev Loftus, released 2016-03-11. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
Credits Graph
Want songwriter and ownership data?
This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.
GBUM71505625 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Sonata for Two Pianos and Percussion, Sz 110: 1. Assai lento - Allegro molto” by Martha Argerich, Daniel Barenboim, Pedro Manuel Torrejón González, Lev Loftus. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
Learn more about ISRCs · Powered by Notes.fm
Daniel Barenboim, Itzhak Perlman
USSM10002283Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein
CH8291400356Martha Argerich, Orchestra della Svizzera italiana, Alexander Vedernikov
CH8291700729Martha Argerich, Orchestra della Svizzera italiana, Alexander Vedernikov
CH8291700730GBUM71505625 is the International Standard Recording Code (ISRC) for the recording “Sonata for Two Pianos and Percussion, Sz 110: 1. Assai lento - Allegro molto” by Martha Argerich, Daniel Barenboim, Pedro Manuel Torrejón González, Lev Loftus, released 2016-03-11. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
