Phone (Shadow Child remix edit) album cover

ISRC

GBUM72307605

Phone (Shadow Child remix edit)2

Song: PHONE

MEDUZASam TompkinsEm Beihold
matched
Released 2023-11-10

Last verified:

GBUM72307605 is the International Standard Recording Code (ISRC) for the recording “Phone (Shadow Child remix edit) by MEDUZA, Sam Tompkins, Em Beihold, released 2023-11-10. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SAMUEL GEORGE TOMPKINS, EMILY BEIHOLD, MATTIA VITALE, and others.

Format

GBCountry
UM7Registrant
23Year (2023)
07605Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCPhone (Shadow Child remix edit)

People also ask

What is the ISRC for "Phone (Shadow Child remix edit)" by MEDUZA?
The ISRC for "Phone (Shadow Child remix edit)" by MEDUZA, Sam Tompkins, Em Beihold is GBUM72307605.
Who wrote "Phone (Shadow Child remix edit)"?
"Phone (Shadow Child remix edit)" was written by SAMUEL GEORGE TOMPKINS, EMILY BEIHOLD, MATTIA VITALE, SIMONE GIANI, LUCA DE GREGORIO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBUM72307605?

GBUM72307605 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Phone (Shadow Child remix edit) by MEDUZA, Sam Tompkins, Em Beihold. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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