ISRC

GBUM72500590

And Nothing Is Forever (Trentemøller rework)2

Song: And Nothing Is Forever

The Cure
unmatchedNot yet matched in the MLC database
Released 2025-06-13

Last verified:

GBUM72500590 is the International Standard Recording Code (ISRC) for the recording “And Nothing Is Forever (Trentemøller rework) by The Cure, released 2025-06-13. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ROBERT JAMES SMITH.

Format

GBCountry
UM7Registrant
25Year (2025)
00590Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCAnd Nothing Is Forever (Trentemøller rework)

People also ask

What is the ISRC for "And Nothing Is Forever (Trentemøller rework)" by The Cure?
The ISRC for "And Nothing Is Forever (Trentemøller rework)" by The Cure is GBUM72500590.
Who wrote "And Nothing Is Forever (Trentemøller rework)"?
"And Nothing Is Forever (Trentemøller rework)" was written by ROBERT JAMES SMITH.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBUM72500590?

GBUM72500590 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “And Nothing Is Forever (Trentemøller rework) by The Cure. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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