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ISRC

GBW2K1111953

HEARING DAMAGE (ORIGINALLY BY THOM YORKE) [KARAOKE VERSION]

Song: HEARING DAMAGE

THE GREY ORCHESTRA
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GBW2K1111953 is the International Standard Recording Code (ISRC) for the recording “HEARING DAMAGE (ORIGINALLY BY THOM YORKE) [KARAOKE VERSION]” by THE GREY ORCHESTRA. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by THOMAS EDWARD YORKE.

Format

GBCountry
W2KRegistrant
11Year (2011)
11953Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCHEARING DAMAGE (ORIGINALLY BY THOM YORKE) [KARAOKE VERSION]
IPITHOMAS EDWARD YORKE

People also ask

What is the ISRC for "HEARING DAMAGE (ORIGINALLY BY THOM YORKE) [KARAOKE VERSION]" by THE GREY ORCHESTRA?
The ISRC for "HEARING DAMAGE (ORIGINALLY BY THOM YORKE) [KARAOKE VERSION]" by THE GREY ORCHESTRA is GBW2K1111953.
Who wrote "HEARING DAMAGE (ORIGINALLY BY THOM YORKE) [KARAOKE VERSION]"?
"HEARING DAMAGE (ORIGINALLY BY THOM YORKE) [KARAOKE VERSION]" was written by THOMAS EDWARD YORKE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBW2K1111953?

GBW2K1111953 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “HEARING DAMAGE (ORIGINALLY BY THOM YORKE) [KARAOKE VERSION]” by THE GREY ORCHESTRA. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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