ISRC

GBWZD1102703

You And I Change Like Seasons2

Song: YOU AND I CHANGE LIKE SEASONS

Codes in the Clouds
matched
Released 2011-01-14

Last verified:

GBWZD1102703 is the International Standard Recording Code (ISRC) for the recording “You And I Change Like Seasons by Codes in the Clouds, released 2011-01-14. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JACK MAJOR, JOSEPH POWER, CIARAN MORAHAN, and others.

Format

GBCountry
WZDRegistrant
11Year (2011)
02703Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JACK MAJORComposer
JOSEPH POWERComposer
CIARAN MORAHANComposer
STEPHEN PEELINGComposer

Credits Graph

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "You And I Change Like Seasons" by Codes in the Clouds?
The ISRC for "You And I Change Like Seasons" by Codes in the Clouds is GBWZD1102703.
Who wrote "You And I Change Like Seasons"?
"You And I Change Like Seasons" was written by JACK MAJOR, JOSEPH POWER, CIARAN MORAHAN, STEPHEN PEELING.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBWZD1102703?

GBWZD1102703 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “You And I Change Like Seasons by Codes in the Clouds. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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