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ISRC

GBX722300125

SOAK GARRI

BOJ AND KNUCKS FEATURING TAY IWARBOJKNUCKS AND TAY IWARKNUCKS & TAY IWAR
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GBX722300125 is the International Standard Recording Code (ISRC) for the recording “SOAK GARRI” by BOJ AND KNUCKS FEATURING TAY IWAR, BOJ, KNUCKS AND TAY IWAR, KNUCKS & TAY IWAR. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by AUSTIN TAY LORNUNGU IWAR, MOBOLAJI ODOJUKAN, SOMTOCHUKWU CHIDEBELU MADU, and others.

Format

GBCountry
X72Registrant
23Year (2023)
00125Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Related

Songwriter profiles

LARA-MARIA VOILLIPI

People also ask

What is the ISRC for "SOAK GARRI" by BOJ AND KNUCKS FEATURING TAY IWAR?
The ISRC for "SOAK GARRI" by BOJ AND KNUCKS FEATURING TAY IWAR, BOJ, KNUCKS AND TAY IWAR, KNUCKS & TAY IWAR is GBX722300125.
Who wrote "SOAK GARRI"?
"SOAK GARRI" was written by AUSTIN TAY LORNUNGU IWAR, MOBOLAJI ODOJUKAN, SOMTOCHUKWU CHIDEBELU MADU, ASHLEY NWACHUKWU, LARA-MARIA VOILL.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBX722300125?

GBX722300125 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “SOAK GARRI” by BOJ AND KNUCKS FEATURING TAY IWAR, BOJ, KNUCKS AND TAY IWAR, KNUCKS & TAY IWAR. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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