DIE SCHÖNE MÜLLERIN, OP. 25, D. 795: NO. 6. DER NEUGIERIGE album cover

ISRC

GBYLM1600065

DIE SCHÖNE MÜLLERIN, OP. 25, D. 795: NO. 6. DER NEUGIERIGE

Song: MEIN! (FROM DIE SCHONE MULLERIN, OP. 25, D. 795, NO. 11)

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GBYLM1600065 is the International Standard Recording Code (ISRC) for the recording “DIE SCHÖNE MÜLLERIN, OP. 25, D. 795: NO. 6. DER NEUGIERIGE. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CARL STROMMEN, DONALD M SHERMAN, FRANZ SCHUBERT.

Format

GBCountry
YLMRegistrant
16Year (2016)
00065Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCDIE SCHÖNE MÜLLERIN, OP. 25, D. 795: NO. 6. DER NEUGIERIGE

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People also ask

What is the ISRC for "DIE SCHÖNE MÜLLERIN, OP. 25, D. 795: NO. 6. DER NEUGIERIGE"?
The ISRC for "DIE SCHÖNE MÜLLERIN, OP. 25, D. 795: NO. 6. DER NEUGIERIGE" is GBYLM1600065.
Who wrote "DIE SCHÖNE MÜLLERIN, OP. 25, D. 795: NO. 6. DER NEUGIERIGE"?
"DIE SCHÖNE MÜLLERIN, OP. 25, D. 795: NO. 6. DER NEUGIERIGE" was written by CARL STROMMEN, DONALD M SHERMAN, FRANZ SCHUBERT.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBYLM1600065?

GBYLM1600065 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “DIE SCHÖNE MÜLLERIN, OP. 25, D. 795: NO. 6. DER NEUGIERIGE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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