DIE SCHÖNE MÜLLERIN, OP. 25, D. 795: NO. 10. TRÄNENREGEN album cover

ISRC

GBYLM1600069

DIE SCHÖNE MÜLLERIN, OP. 25, D. 795: NO. 10. TRÄNENREGEN

Song: MEIN! (FROM DIE SCHONE MULLERIN, OP. 25, D. 795, NO. 11)

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GBYLM1600069 is the International Standard Recording Code (ISRC) for the recording “DIE SCHÖNE MÜLLERIN, OP. 25, D. 795: NO. 10. TRÄNENREGEN. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CARL STROMMEN, DONALD M SHERMAN, FRANZ SCHUBERT.

Format

GBCountry
YLMRegistrant
16Year (2016)
00069Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCDIE SCHÖNE MÜLLERIN, OP. 25, D. 795: NO. 10. TRÄNENREGEN

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People also ask

What is the ISRC for "DIE SCHÖNE MÜLLERIN, OP. 25, D. 795: NO. 10. TRÄNENREGEN"?
The ISRC for "DIE SCHÖNE MÜLLERIN, OP. 25, D. 795: NO. 10. TRÄNENREGEN" is GBYLM1600069.
Who wrote "DIE SCHÖNE MÜLLERIN, OP. 25, D. 795: NO. 10. TRÄNENREGEN"?
"DIE SCHÖNE MÜLLERIN, OP. 25, D. 795: NO. 10. TRÄNENREGEN" was written by CARL STROMMEN, DONALD M SHERMAN, FRANZ SCHUBERT.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBYLM1600069?

GBYLM1600069 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “DIE SCHÖNE MÜLLERIN, OP. 25, D. 795: NO. 10. TRÄNENREGEN. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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