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I'M SO GLAD WE ARE HERE (MOONLIGHT LOVER RIDDIM) album cover

ISRC

GBYLW1200033

I'M SO GLAD WE ARE HERE (MOONLIGHT LOVER RIDDIM)

Song: I'M SO GLAD WE ARE HERE

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GBYLW1200033 is the International Standard Recording Code (ISRC) for the recording “I'M SO GLAD WE ARE HERE (MOONLIGHT LOVER RIDDIM)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PAUL BLAKE, SANDRA ELENA CROSS, CARLTON OLIVER MCLEOD.

Format

GBCountry
YLWRegistrant
12Year (2012)
00033Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCI'M SO GLAD WE ARE HERE (MOONLIGHT LOVER RIDDIM)
IPIPAUL BLAKE

Related

Songwriter profiles

PAUL BLAKEIPISANDRA ELENA CROSSIPICARLTON OLIVER MCLEODIPI

People also ask

What is the ISRC for "I'M SO GLAD WE ARE HERE (MOONLIGHT LOVER RIDDIM)"?
The ISRC for "I'M SO GLAD WE ARE HERE (MOONLIGHT LOVER RIDDIM)" is GBYLW1200033.
Who wrote "I'M SO GLAD WE ARE HERE (MOONLIGHT LOVER RIDDIM)"?
"I'M SO GLAD WE ARE HERE (MOONLIGHT LOVER RIDDIM)" was written by PAUL BLAKE, SANDRA ELENA CROSS, CARLTON OLIVER MCLEOD.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBYLW1200033?

GBYLW1200033 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I'M SO GLAD WE ARE HERE (MOONLIGHT LOVER RIDDIM)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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