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ISRC

GRHR10992012

"IL BARBIERE DI SIVIGLIA: ACT II - ""VENITE, SIGNORINA"""

Song: ROSSINI: IL BARBIERE DI SIVIGLIA / ACT 2 - NO.19 FINALETTO II: DI SÌ FELICE INNESTO

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GRHR10992012 is the International Standard Recording Code (ISRC) for the recording “"IL BARBIERE DI SIVIGLIA: ACT II - ""VENITE, SIGNORINA"""”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CECILIA BARTOLI, GIOACHINO ROSSINI, GIUSEPPE PATANE, and others.

Format

GRCountry
HR1Registrant
09Year (2009)
92012Designation
Country:
ISO 3166-1 alpha-2 country code (GR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Related

Songwriter profiles

GIOACHINO ROSSINIIPI

People also ask

What is the ISRC for ""IL BARBIERE DI SIVIGLIA: ACT II - ""VENITE, SIGNORINA""""?
The ISRC for ""IL BARBIERE DI SIVIGLIA: ACT II - ""VENITE, SIGNORINA"""" is GRHR10992012.
Who wrote ""IL BARBIERE DI SIVIGLIA: ACT II - ""VENITE, SIGNORINA""""?
""IL BARBIERE DI SIVIGLIA: ACT II - ""VENITE, SIGNORINA"""" was written by CECILIA BARTOLI, GIOACHINO ROSSINI, GIUSEPPE PATANE, LEO NUCCI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GRHR10992012?

GRHR10992012 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “"IL BARBIERE DI SIVIGLIA: ACT II - ""VENITE, SIGNORINA"""”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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