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ILLINOIS NOTE BAR 12 BAR BLUES BACKING TRACK FOR BASS IN A album cover

ISRC

GX8KD2333886

ILLINOIS NOTE BAR 12 BAR BLUES BACKING TRACK FOR BASS IN A

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GX8KD2333886 is the International Standard Recording Code (ISRC) for the recording “ILLINOIS NOTE BAR 12 BAR BLUES BACKING TRACK FOR BASS IN A”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PIERANGELO GONELLA.

Format

GXCountry
8KDRegistrant
23Year (2023)
33886Designation
Country:
ISO 3166-1 alpha-2 country code (GX).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCILLINOIS NOTE BAR 12 BAR BLUES BACKING TRACK FOR BASS IN A
IPIPIERANGELO GONELLA

Related

Songwriter profiles

PIERANGELO GONELLAIPI

People also ask

What is the ISRC for "ILLINOIS NOTE BAR 12 BAR BLUES BACKING TRACK FOR BASS IN A"?
The ISRC for "ILLINOIS NOTE BAR 12 BAR BLUES BACKING TRACK FOR BASS IN A" is GX8KD2333886.
Who wrote "ILLINOIS NOTE BAR 12 BAR BLUES BACKING TRACK FOR BASS IN A"?
"ILLINOIS NOTE BAR 12 BAR BLUES BACKING TRACK FOR BASS IN A" was written by PIERANGELO GONELLA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GX8KD2333886?

GX8KD2333886 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “ILLINOIS NOTE BAR 12 BAR BLUES BACKING TRACK FOR BASS IN A”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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