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ISRC

HKI190057602

Seigneur Dieu, que vois‐je ?

Song: Faust : Acte III. No. 15 Scène « Seigneur Dieu, que vois-je ! » (Marthe, Marguerite)

Victor Orchestra[unknown]Enrico CarusoMarcel JournetGeraldine FarrarGabrielle Lejeune-Gilibert
Released 2004-10-11

Last verified:

HKI190057602 is the International Standard Recording Code (ISRC) for the recording "Seigneur Dieu, que vois‐je ?" by Victor Orchestra, [unknown], Enrico Caruso, Marcel Journet, Geraldine Farrar, Gabrielle Lejeune-Gilibert, released 2004-10-11. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
00Year (2000)
57602Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2000):
Last two digits of the reference year (2000). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Seigneur Dieu, que vois‐je ?" by Victor Orchestra?
The ISRC for "Seigneur Dieu, que vois‐je ?" by Victor Orchestra, [unknown], Enrico Caruso, Marcel Journet, Geraldine Farrar, Gabrielle Lejeune-Gilibert is HKI190057602.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI190057602?

HKI190057602 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Seigneur Dieu, que vois‐je ?" by Victor Orchestra, [unknown], Enrico Caruso, Marcel Journet, Geraldine Farrar, Gabrielle Lejeune-Gilibert. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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