INTERLUDE album cover

ISRC

HKI190225604

INTERLUDE

Song: "INTERLUDE (FROM ""A CEREMONY OF CAROLS"")"

ADRIAN THOMPSONPETER WARLOCKWILLIAM BUTLER YEATSTHE DUKE QUARTETJOHN CONSTABLECHRISTOPHER MALTMAN
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Released 2003-04-01

Last verified:

HKI190225604 is the International Standard Recording Code (ISRC) for the recording "INTERLUDE" by ADRIAN THOMPSON, PETER WARLOCK, WILLIAM BUTLER YEATS, THE DUKE QUARTET, JOHN CONSTABLE, CHRISTOPHER MALTMAN, released 2003-04-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BENJAMIN BRITTEN.

Format

HKCountry
I19Registrant
02Year (2002)
25604Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2002):
Last two digits of the reference year (2002). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCINTERLUDE

People also ask

What is the ISRC for "INTERLUDE" by ADRIAN THOMPSON?
The ISRC for "INTERLUDE" by ADRIAN THOMPSON, PETER WARLOCK, WILLIAM BUTLER YEATS, THE DUKE QUARTET, JOHN CONSTABLE, CHRISTOPHER MALTMAN is HKI190225604.
Who wrote "INTERLUDE"?
"INTERLUDE" was written by BENJAMIN BRITTEN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI190225604?

HKI190225604 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "INTERLUDE" by ADRIAN THOMPSON, PETER WARLOCK, WILLIAM BUTLER YEATS, THE DUKE QUARTET, JOHN CONSTABLE, CHRISTOPHER MALTMAN. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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