ISRC
Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo (Cheerful ipmressions awakened by arriving in the country)2
Song: "SYMPHONY NO. 6 IN F MAJOR, OP. 68 ""PASTORAL"": I. ALLEGRO MA NON TROPPO"
Last verified:
HKI190232505 is the International Standard Recording Code (ISRC) for the recording “Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo (Cheerful ipmressions awakened by arriving in the country)” by Royal Philharmonic Orchestra, Felix Weingartner, released 1996-12-11. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
Unmatched Recording
This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.
Credits Graph
Want songwriter and ownership data?
This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.
HKI190232505 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo (Cheerful ipmressions awakened by arriving in the country)” by Royal Philharmonic Orchestra, Felix Weingartner. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
Learn more about ISRCs · Powered by Notes.fm
HKI190232505 is the International Standard Recording Code (ISRC) for the recording “Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo (Cheerful ipmressions awakened by arriving in the country)” by Royal Philharmonic Orchestra, Felix Weingartner, released 1996-12-11. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
