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ISRC

HKI190318411

Il Trovatore, Act III: “Ah, si, ben mio, coll’essere”

Song: Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico)

Marcello GiordaniOrchestra of the Bellini TheatreCataniaSteven Mercurio
Released 2004-05-02

Last verified:

HKI190318411 is the International Standard Recording Code (ISRC) for the recording “Il Trovatore, Act III: “Ah, si, ben mio, coll’essere”” by Marcello Giordani, Orchestra of the Bellini Theatre, Catania, Steven Mercurio, released 2004-05-02. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
03Year (2003)
18411Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2003):
Last two digits of the reference year (2003). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Il Trovatore, Act III: “Ah, si, ben mio, coll’essere”" by Marcello Giordani?
The ISRC for "Il Trovatore, Act III: “Ah, si, ben mio, coll’essere”" by Marcello Giordani, Orchestra of the Bellini Theatre, Catania, Steven Mercurio is HKI190318411.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI190318411?

HKI190318411 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Il Trovatore, Act III: “Ah, si, ben mio, coll’essere”” by Marcello Giordani, Orchestra of the Bellini Theatre, Catania, Steven Mercurio. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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