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ISRC

HKI190401103

Eight Humoresques, op. 101, B. 187: No. 3. Poco andante e molto cantabile in A-flat major2

Song: Humoresque no. 3 for Piano in A-flat major, B. 187/3, op. 101 no. 3: Poco andante e molto cantabile

Stefan Veselka
unmatchedNot yet matched in the MLC database
Released 2004-05-01

Last verified:

HKI190401103 is the International Standard Recording Code (ISRC) for the recording "Eight Humoresques, op. 101, B. 187: No. 3. Poco andante e molto cantabile in A-flat major" by Stefan Veselka, released 2004-05-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
04Year (2004)
01103Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2004):
Last two digits of the reference year (2004). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Eight Humoresques, op. 101, B. 187: No. 3. Poco andante e molto cantabile in A-flat major" by Stefan Veselka?
The ISRC for "Eight Humoresques, op. 101, B. 187: No. 3. Poco andante e molto cantabile in A-flat major" by Stefan Veselka is HKI190401103.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI190401103?

HKI190401103 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Eight Humoresques, op. 101, B. 187: No. 3. Poco andante e molto cantabile in A-flat major" by Stefan Veselka. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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