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ISRC

HKI190428907

Carmen: Act IV, Scene 2: Viva!

Song: Carmen : Acte IV. « Viva ! Viva ! La course est belle » (Chœur)

Giorgio LambertiGraciela AlperynSlovak Philharmonic ChorusSlovak Radio Symphony OrchestraAli Rahbari
Released 2006-01-01

Last verified:

HKI190428907 is the International Standard Recording Code (ISRC) for the recording "Carmen: Act IV, Scene 2: Viva!" by Giorgio Lamberti, Graciela Alperyn, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Ali Rahbari, released 2006-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
04Year (2004)
28907Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2004):
Last two digits of the reference year (2004). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Carmen: Act IV, Scene 2: Viva!" by Giorgio Lamberti?
The ISRC for "Carmen: Act IV, Scene 2: Viva!" by Giorgio Lamberti, Graciela Alperyn, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Ali Rahbari is HKI190428907.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI190428907?

HKI190428907 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Carmen: Act IV, Scene 2: Viva!" by Giorgio Lamberti, Graciela Alperyn, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Ali Rahbari. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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