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ISRC

HKI190718708

Dance Symphony: II. Dance of the Girl Who Moves As If in a Dream: Andante moderato

Song: Dance Symphony: II. Andante moderato

Bournemouth Symphony OrchestraMarin Alsop
Released 2008-10-01

Last verified:

HKI190718708 is the International Standard Recording Code (ISRC) for the recording "Dance Symphony: II. Dance of the Girl Who Moves As If in a Dream: Andante moderato" by Bournemouth Symphony Orchestra, Marin Alsop, released 2008-10-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
07Year (2007)
18708Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2007):
Last two digits of the reference year (2007). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Dance Symphony: II. Dance of the Girl Who Moves As If in a Dream: Andante moderato" by Bournemouth Symphony Orchestra?
The ISRC for "Dance Symphony: II. Dance of the Girl Who Moves As If in a Dream: Andante moderato" by Bournemouth Symphony Orchestra, Marin Alsop is HKI190718708.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI190718708?

HKI190718708 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Dance Symphony: II. Dance of the Girl Who Moves As If in a Dream: Andante moderato" by Bournemouth Symphony Orchestra, Marin Alsop. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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