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Polly: Act III: Air 2: O Saw Ye My Father: ‘Love with beauty is flying’ (Cawwawkee) album cover

ISRC

HKI190951637

Polly: Act III: Air 2: O Saw Ye My Father: ‘Love with beauty is flying’ (Cawwawkee)

Bud RoachAradia EnsembleKevin Mallon

Last verified:

HKI190951637 is the International Standard Recording Code (ISRC) for the recording "Polly: Act III: Air 2: O Saw Ye My Father: ‘Love with beauty is flying’ (Cawwawkee)" by Bud Roach, Aradia Ensemble, Kevin Mallon. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
09Year (2009)
51637Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Polly: Act III: Air 2: O Saw Ye My Father: ‘Love with beauty is flying’ (Cawwawkee)" by Bud Roach?
The ISRC for "Polly: Act III: Air 2: O Saw Ye My Father: ‘Love with beauty is flying’ (Cawwawkee)" by Bud Roach, Aradia Ensemble, Kevin Mallon is HKI190951637.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI190951637?

HKI190951637 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Polly: Act III: Air 2: O Saw Ye My Father: ‘Love with beauty is flying’ (Cawwawkee)" by Bud Roach, Aradia Ensemble, Kevin Mallon. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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