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Rhapsody on Ukrainian Themes, op. 28 album cover

ISRC

HKI191013503

Rhapsody on Ukrainian Themes, op. 28

Song: Rhapsody on Ukranian Themes, op. 28

Shorena TsintsabadzeRussian Philharmonic OrchestraDmitry Yablonsky
Released 2010-12-01

Last verified:

HKI191013503 is the International Standard Recording Code (ISRC) for the recording "Rhapsody on Ukrainian Themes, op. 28" by Shorena Tsintsabadze, Russian Philharmonic Orchestra, Dmitry Yablonsky, released 2010-12-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
10Year (2010)
13503Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Rhapsody on Ukrainian Themes, op. 28" by Shorena Tsintsabadze?
The ISRC for "Rhapsody on Ukrainian Themes, op. 28" by Shorena Tsintsabadze, Russian Philharmonic Orchestra, Dmitry Yablonsky is HKI191013503.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI191013503?

HKI191013503 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Rhapsody on Ukrainian Themes, op. 28" by Shorena Tsintsabadze, Russian Philharmonic Orchestra, Dmitry Yablonsky. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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