ISRC
Didone abbandonata, Atto I Scena V: Aria. «Son regina e sono amante» (Didone) – Scena V: «Araspe, alla vendetta» (Iarba, Osmida, Araspe)
Song: Didone abbandonata: Atto I
Last verified:
HKI191222704 is the International Standard Recording Code (ISRC) for the recording “Didone abbandonata, Atto I Scena V: Aria. «Son regina e sono amante» (Didone) – Scena V: «Araspe, alla vendetta» (Iarba, Osmida, Araspe)” by Mária Celeng, Theresa Holzhauser, Valer Barna-Sabadus, Andreas Burkhart, Hofkapelle München, Michael Hofstetter, released 2013-02-05. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
Credits Graph
Want songwriter and ownership data?
This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.
HKI191222704 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Didone abbandonata, Atto I Scena V: Aria. «Son regina e sono amante» (Didone) – Scena V: «Araspe, alla vendetta» (Iarba, Osmida, Araspe)” by Mária Celeng, Theresa Holzhauser, Valer Barna-Sabadus, Andreas Burkhart, Hofkapelle München, Michael Hofstetter. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
Learn more about ISRCs · Powered by Notes.fm
Valer Barna-Sabadus, Kammerorchester Basel, Julia Schröder
DEE862002661Valer Barna-Sabadus, Kammerorchester Basel, Julia Schröder
DEE862002663HKI191222704 is the International Standard Recording Code (ISRC) for the recording “Didone abbandonata, Atto I Scena V: Aria. «Son regina e sono amante» (Didone) – Scena V: «Araspe, alla vendetta» (Iarba, Osmida, Araspe)” by Mária Celeng, Theresa Holzhauser, Valer Barna-Sabadus, Andreas Burkhart, Hofkapelle München, Michael Hofstetter, released 2013-02-05. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
