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ISRC

HKI191341008

Péchés de vieillesse, Volume IV. Quatre hors d’œuvres: No. 4. Le beurre (Thème et Variations)

Song: Péchés de vieillesse, Volume 4 "Quatre mendiants et quatre hors d’œuvres": Quatre hors d’œuvres - no. 4 Le beurre

Alessandro Marangoni
Released 2014-05-01

Last verified:

HKI191341008 is the International Standard Recording Code (ISRC) for the recording "Péchés de vieillesse, Volume IV. Quatre hors d’œuvres: No. 4. Le beurre (Thème et Variations)" by Alessandro Marangoni, released 2014-05-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
13Year (2013)
41008Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Péchés de vieillesse, Volume IV. Quatre hors d’œuvres: No. 4. Le beurre (Thème et Variations)" by Alessandro Marangoni?
The ISRC for "Péchés de vieillesse, Volume IV. Quatre hors d’œuvres: No. 4. Le beurre (Thème et Variations)" by Alessandro Marangoni is HKI191341008.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI191341008?

HKI191341008 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Péchés de vieillesse, Volume IV. Quatre hors d’œuvres: No. 4. Le beurre (Thème et Variations)" by Alessandro Marangoni. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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