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Cantata 10: Arder di due pupille: Aria. Mi sei tanto caro album cover

ISRC

HKI191509015

Cantata 10: Arder di due pupille: Aria. Mi sei tanto caro

Song: Cantata 10: Arder di due pupille: IV. Aria. Mi sei tanto caro

Darryl TaylorJory VinikourAnn Marie MorganDeborah Fox
Released 2015-11-06

Last verified:

HKI191509015 is the International Standard Recording Code (ISRC) for the recording “Cantata 10: Arder di due pupille: Aria. Mi sei tanto caro” by Darryl Taylor, Jory Vinikour, Ann Marie Morgan, Deborah Fox, released 2015-11-06. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
15Year (2015)
09015Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Cantata 10: Arder di due pupille: Aria. Mi sei tanto caro" by Darryl Taylor?
The ISRC for "Cantata 10: Arder di due pupille: Aria. Mi sei tanto caro" by Darryl Taylor, Jory Vinikour, Ann Marie Morgan, Deborah Fox is HKI191509015.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI191509015?

HKI191509015 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Cantata 10: Arder di due pupille: Aria. Mi sei tanto caro” by Darryl Taylor, Jory Vinikour, Ann Marie Morgan, Deborah Fox. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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