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ISRC

HKI191517809

Svanevit, JS 189: Act II. Lento. Styvmodern: Har min konst svikit mig, eller hur

Song: Svanevit, JS 189: Act II, no. 9: Styvmodern

Turku Philharmonic OrchestraLeif Segerstam
Released 2015-09-01

Last verified:

HKI191517809 is the International Standard Recording Code (ISRC) for the recording "Svanevit, JS 189: Act II. Lento. Styvmodern: Har min konst svikit mig, eller hur" by Turku Philharmonic Orchestra, Leif Segerstam, released 2015-09-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
15Year (2015)
17809Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Svanevit, JS 189: Act II. Lento. Styvmodern: Har min konst svikit mig, eller hur" by Turku Philharmonic Orchestra?
The ISRC for "Svanevit, JS 189: Act II. Lento. Styvmodern: Har min konst svikit mig, eller hur" by Turku Philharmonic Orchestra, Leif Segerstam is HKI191517809.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI191517809?

HKI191517809 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Svanevit, JS 189: Act II. Lento. Styvmodern: Har min konst svikit mig, eller hur" by Turku Philharmonic Orchestra, Leif Segerstam. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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