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Seven Thoughts Considered as Music: No. 2. Don't be confused by surfaces... (Rainer Maria Rilke) album cover

ISRC

HKI191611608

Seven Thoughts Considered as Music: No. 2. Don't be confused by surfaces... (Rainer Maria Rilke)

Song: Seven Thoughts Considered as Music: II. Don't be confused by surfaces... (Rilke)

Carlo Grante

Last verified:

HKI191611608 is the International Standard Recording Code (ISRC) for the recording "Seven Thoughts Considered as Music: No. 2. Don't be confused by surfaces... (Rainer Maria Rilke)" by Carlo Grante. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
16Year (2016)
11608Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Seven Thoughts Considered as Music: No. 2. Don't be confused by surfaces... (Rainer Maria Rilke)" by Carlo Grante?
The ISRC for "Seven Thoughts Considered as Music: No. 2. Don't be confused by surfaces... (Rainer Maria Rilke)" by Carlo Grante is HKI191611608.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI191611608?

HKI191611608 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Seven Thoughts Considered as Music: No. 2. Don't be confused by surfaces... (Rainer Maria Rilke)" by Carlo Grante. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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