ISRC
Adelaide di Borgogna: Act I Scene 16: Finale: Quale improvviso strepito! - Scene 17: Signor, tu sei tradito (Ottone, Adelaide, Adelberto, Berengario, Ernesto, Chorus)
Song: Adelaide di Borgogna: Atto I
Last verified:
HKI191704021 is the International Standard Recording Code (ISRC) for the recording “Adelaide di Borgogna: Act I Scene 16: Finale: Quale improvviso strepito! - Scene 17: Signor, tu sei tradito (Ottone, Adelaide, Adelberto, Berengario, Ernesto, Chorus)” by Ania Michalak, Baurzhan Anderzhanov, Margarita Gritskova, Cornelius Lewenberg, Camerata Bach Choir, Poznań, Ekaterina Sadovnikova, Gheorghe Vlad, Michele D’Elia, Virtuosi Brunensis, Luciano Acocella. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
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HKI191704021 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Adelaide di Borgogna: Act I Scene 16: Finale: Quale improvviso strepito! - Scene 17: Signor, tu sei tradito (Ottone, Adelaide, Adelberto, Berengario, Ernesto, Chorus)” by Ania Michalak, Baurzhan Anderzhanov, Margarita Gritskova, Cornelius Lewenberg, Camerata Bach Choir, Poznań, Ekaterina Sadovnikova, Gheorghe Vlad, Michele D’Elia, Virtuosi Brunensis, Luciano Acocella. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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HKI191704021 is the International Standard Recording Code (ISRC) for the recording “Adelaide di Borgogna: Act I Scene 16: Finale: Quale improvviso strepito! - Scene 17: Signor, tu sei tradito (Ottone, Adelaide, Adelberto, Berengario, Ernesto, Chorus)” by Ania Michalak, Baurzhan Anderzhanov, Margarita Gritskova, Cornelius Lewenberg, Camerata Bach Choir, Poznań, Ekaterina Sadovnikova, Gheorghe Vlad, Michele D’Elia, Virtuosi Brunensis, Luciano Acocella. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
