24 Variations on "Venni amore", WoO 65 album cover

ISRC

HKI191817808

24 Variations on "Venni amore", WoO 652

Song: 24 VARIATIONS FOR PIANO ON `VIENI AMORE` BY RIGHINI D MAJOR (1790–1791) WOO 65

Larry Weng
matched
Released 2019-05-10

Last verified:

HKI191817808 is the International Standard Recording Code (ISRC) for the recording “24 Variations on "Venni amore", WoO 65 by Larry Weng, released 2019-05-10. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LUDWIG VAN BEETHOVEN.

Format

HKCountry
I19Registrant
18Year (2018)
17808Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

LUDWIG VAN BEETHOVENComposerLyricist

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "24 Variations on "Venni amore", WoO 65" by Larry Weng?
The ISRC for "24 Variations on "Venni amore", WoO 65" by Larry Weng is HKI191817808.
Who wrote "24 Variations on "Venni amore", WoO 65"?
"24 Variations on "Venni amore", WoO 65" was written by LUDWIG VAN BEETHOVEN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI191817808?

HKI191817808 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “24 Variations on "Venni amore", WoO 65 by Larry Weng. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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