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La Tragédie de Salomé, op. 50: Part I: Prélude – Danse des Perles album cover

ISRC

HKI192021801

La Tragédie de Salomé, op. 50: Part I: Prélude – Danse des Perles

Song: La Tragédie de Salomé, op. 50: I. Prélude

Buffalo Philharmonic OrchestraJoAnn Falletta
Released 2020-11-13

Last verified:

HKI192021801 is the International Standard Recording Code (ISRC) for the recording "La Tragédie de Salomé, op. 50: Part I: Prélude – Danse des Perles" by Buffalo Philharmonic Orchestra, JoAnn Falletta, released 2020-11-13. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
20Year (2020)
21801Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "La Tragédie de Salomé, op. 50: Part I: Prélude – Danse des Perles" by Buffalo Philharmonic Orchestra?
The ISRC for "La Tragédie de Salomé, op. 50: Part I: Prélude – Danse des Perles" by Buffalo Philharmonic Orchestra, JoAnn Falletta is HKI192021801.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI192021801?

HKI192021801 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "La Tragédie de Salomé, op. 50: Part I: Prélude – Danse des Perles" by Buffalo Philharmonic Orchestra, JoAnn Falletta. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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