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ISRC

HKI192034813

Romanzen und Balladen, Book 4, op. 64: No. 3. Tragödie. I. Entflieh mit mir und sei mein Weib

Song: Romanzen und Balladen, op. 64: Nr. 3. Tragödie: I. Entflich mit mir und sei mein Weib

Simon BodeUlrich Eisenlohr
Released 2021-03-12

Last verified:

HKI192034813 is the International Standard Recording Code (ISRC) for the recording "Romanzen und Balladen, Book 4, op. 64: No. 3. Tragödie. I. Entflieh mit mir und sei mein Weib" by Simon Bode, Ulrich Eisenlohr, released 2021-03-12. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
20Year (2020)
34813Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Romanzen und Balladen, Book 4, op. 64: No. 3. Tragödie. I. Entflieh mit mir und sei mein Weib" by Simon Bode?
The ISRC for "Romanzen und Balladen, Book 4, op. 64: No. 3. Tragödie. I. Entflieh mit mir und sei mein Weib" by Simon Bode, Ulrich Eisenlohr is HKI192034813.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI192034813?

HKI192034813 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Romanzen und Balladen, Book 4, op. 64: No. 3. Tragödie. I. Entflieh mit mir und sei mein Weib" by Simon Bode, Ulrich Eisenlohr. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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