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Macbeth, Act IV: O figli, O figli miei! – Ah, la paterna mano album cover

ISRC

HKI192100413

Macbeth, Act IV: O figli, O figli miei! – Ah, la paterna mano

Song: Macbeth: Atto IV. N°13a Scena "O figli, o figli miei!" (Macduff)

Azer ZadaKiev Virtuosi Symphony OrchestraDmitry Yablonsky
Released 2021-10-22

Last verified:

HKI192100413 is the International Standard Recording Code (ISRC) for the recording “Macbeth, Act IV: O figli, O figli miei! – Ah, la paterna mano” by Azer Zada, Kiev Virtuosi Symphony Orchestra, Dmitry Yablonsky, released 2021-10-22. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
21Year (2021)
00413Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Macbeth, Act IV: O figli, O figli miei! – Ah, la paterna mano" by Azer Zada?
The ISRC for "Macbeth, Act IV: O figli, O figli miei! – Ah, la paterna mano" by Azer Zada, Kiev Virtuosi Symphony Orchestra, Dmitry Yablonsky is HKI192100413.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI192100413?

HKI192100413 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Macbeth, Act IV: O figli, O figli miei! – Ah, la paterna mano” by Azer Zada, Kiev Virtuosi Symphony Orchestra, Dmitry Yablonsky. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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