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Chamber Symphony for Strings and Celesta, op. 49a: III. Allegro molto album cover

ISRC

HKI192138412

Chamber Symphony for Strings and Celesta, op. 49a: III. Allegro molto

Song: Chamber Symphony in C major, op. 49a: III. Allegro molto

Deutsche Radio PhilharmoniePietari Inkinen
Released 2023-01-13

Last verified:

HKI192138412 is the International Standard Recording Code (ISRC) for the recording “Chamber Symphony for Strings and Celesta, op. 49a: III. Allegro molto” by Deutsche Radio Philharmonie, Pietari Inkinen, released 2023-01-13. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
21Year (2021)
38412Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Chamber Symphony for Strings and Celesta, op. 49a: III. Allegro molto" by Deutsche Radio Philharmonie?
The ISRC for "Chamber Symphony for Strings and Celesta, op. 49a: III. Allegro molto" by Deutsche Radio Philharmonie, Pietari Inkinen is HKI192138412.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI192138412?

HKI192138412 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Chamber Symphony for Strings and Celesta, op. 49a: III. Allegro molto” by Deutsche Radio Philharmonie, Pietari Inkinen. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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