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Choro for Cello and Orchestra: II. Calmo e triste album cover

ISRC

HKI192202910

Choro for Cello and Orchestra: II. Calmo e triste

Song: Choro para violoncelo e orquestra: II. Calmo e triste

Matias de Oliveira PintoSão Paulo Symphony OrchestraRoberto Tibiriçá
Released 2022-05-01

Last verified:

HKI192202910 is the International Standard Recording Code (ISRC) for the recording “Choro for Cello and Orchestra: II. Calmo e triste” by Matias de Oliveira Pinto, São Paulo Symphony Orchestra, Roberto Tibiriçá, released 2022-05-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
22Year (2022)
02910Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Choro for Cello and Orchestra: II. Calmo e triste" by Matias de Oliveira Pinto?
The ISRC for "Choro for Cello and Orchestra: II. Calmo e triste" by Matias de Oliveira Pinto, São Paulo Symphony Orchestra, Roberto Tibiriçá is HKI192202910.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI192202910?

HKI192202910 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Choro for Cello and Orchestra: II. Calmo e triste” by Matias de Oliveira Pinto, São Paulo Symphony Orchestra, Roberto Tibiriçá. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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