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Madama Butterfly: "Vogliatemi bene" album cover

ISRC

HKI199190527

Madama Butterfly: "Vogliatemi bene"

Song: Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton)

Miriam GauciYordy RamiroSlovak Radio Symphony OrchestraAlexander Rahbari
Released 2009-06-01

Last verified:

HKI199190527 is the International Standard Recording Code (ISRC) for the recording "Madama Butterfly: "Vogliatemi bene"" by Miriam Gauci, Yordy Ramiro, Slovak Radio Symphony Orchestra, Alexander Rahbari, released 2009-06-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
91Year (1991)
90527Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1991):
Last two digits of the reference year (1991). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Madama Butterfly: "Vogliatemi bene"" by Miriam Gauci?
The ISRC for "Madama Butterfly: "Vogliatemi bene"" by Miriam Gauci, Yordy Ramiro, Slovak Radio Symphony Orchestra, Alexander Rahbari is HKI199190527.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI199190527?

HKI199190527 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Madama Butterfly: "Vogliatemi bene"" by Miriam Gauci, Yordy Ramiro, Slovak Radio Symphony Orchestra, Alexander Rahbari. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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