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ISRC

HKI199515217

Così fan tutte: Atto II. Duetto: “Prenderò quel brunettino”

Song: Così fan tutte: Atto II. No. 20 Duetto “Prenderò quel brunettino” (Fiordiligi, Dorabella)

Joanna BorowskaRohangiz YachmiCapella IstropolitanaJohannes Wildner
Released 1991-01-01

Last verified:

HKI199515217 is the International Standard Recording Code (ISRC) for the recording "Così fan tutte: Atto II. Duetto: “Prenderò quel brunettino”" by Joanna Borowska, Rohangiz Yachmi, Capella Istropolitana, Johannes Wildner, released 1991-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
95Year (1995)
15217Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1995):
Last two digits of the reference year (1995). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Così fan tutte: Atto II. Duetto: “Prenderò quel brunettino”" by Joanna Borowska?
The ISRC for "Così fan tutte: Atto II. Duetto: “Prenderò quel brunettino”" by Joanna Borowska, Rohangiz Yachmi, Capella Istropolitana, Johannes Wildner is HKI199515217.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI199515217?

HKI199515217 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Così fan tutte: Atto II. Duetto: “Prenderò quel brunettino”" by Joanna Borowska, Rohangiz Yachmi, Capella Istropolitana, Johannes Wildner. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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